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Nick Shackelford was a pro soccer player for the LA Galaxy turned online marketing super star. You’ve probably seen him featured in FOUNDR magazine or speaking on stage of the wildly successful event he co-founded - Geek Out.
I first met him when we both spoke at Ezra Firestone’s event in Denver several years ago and I’ve been a fan ever since. Nick is a master of media buying. He knows how to build agencies. And he has a really fresh take on creatives. We go deep into his creative process in this episode. Here’s a look at what we cover:
- How a lack of diversity in your ads could be killing your results.
- Nick’s agency’s creative process. This is pure GOLD.
- How to use Amazon reviews to jump start your creative process - This strategy is so simple, so effective, you’ll kick yourself for not having used it.
- How a tool called Monkey Learn can help you key in on the right words and hooks to use with your audience.
- Why audience targeting is nearly dead and creative is KING.
- How Nick uses Creative Strategist and why you should consider one too.
- How to work with the algorithm rather than against it.
Mentioned in This Episode:
Nick Shackelford
Geek Out
- Website
- Events
Transcript:
Brett:
Welcome to the Spicy Curry Podcast, where we explore hot takes in e-commerce and digital marketing. We feature some of the brightest guests with the spiciest perspectives on how to grow your business online.
Brett:
In this episode, we talk about the creative process that will supercharge your Facebook and Instagram ads. My guest is Nick Shackelford. You've probably seen Nick on stage at one of your favorite e-commerce events, or you've seen him featured in Foundr Magazine or in a host of other places online. More about Nick in just a minute. In this episode, we talk about the fact that audience marketing is nearly dead and why creative is almost all that matters. We talk about how Nick uses creative strategists and how you should consider using one too. We talk about how Nick use Amazon reviews to kickstart the creative process. This approach is so simple, so effective, so powerful, you'll kick yourself for not having used it before. We'll also talk about a tool that you can use to choose the right words and the right hooks for your ads. Plus, we'll unpack Nick's entire creative strategy. So lean in, buckle up, and please enjoy this interview with Nick Shackelford.
Brett:
The Spicy Curry Podcast is brought to you by OMG Commerce, attentive, One Click Upsell, Zipify Pages, and Payability.
Brett:
Well, I am absolutely geeking out about this episode and this guest. That was a little bit of a pun, you'll find out more about that in a minute. But, longtime friend of mine, absolute rockstar in the space. If you're paying attention to digital marketing at all, you've probably heard of this guy or seen this guy or you've heard the name. And so, today I'm absolutely thrilled to have Nick Shackelford, aka The Shack, on the podcast. And we're going to dive deep into really several things related to marketing. And if you've been listening to this season one of the Spicy Curry Podcast, we're really talking about three things, right? Have something good to say, say it well, say it often. Regardless of what changes in the online world, you've got to do those things. And so we're going to talk about what's working now, what's not working now, how to crush it like Shack does.
Brett:
And so a couple of interesting things about Shack for those that may not know, he was a professional soccer player for the LA Galaxy, and then decided, "You know what? I want my field to be online marketing rather than running around the soccer field." And so we actually met. We met at Ezra Firestones event, right, Shack? We both spoke at Ezra Firestone's event. I don't remember where that was or when that was. Was it maybe Denver, I don't know, three or four years ago?
Nick:
It was. It was Colorado.
Brett:
Yeah. Yeah. And I just remembered two things about you. One, you had an amazing strategy for influencer marketing on Facebook, two, you were rocking a killer hoodie, and three, you just had this swagger about you. And then as I've known you over the years, you always have a killer hoodie on. So what is the secret to getting great hoodies?
Nick:
Oh man, I actually am wearing one of them right now. This is an appropriate hoodie when you're just working at home 24/7. So this is [inaudible 00:03:41], which is another e-commerce brand that if you guys are in the space, they definitely do some interesting things. You should definitely talk to Davies. He's a smart, smart guy as well.
Brett:
Would love that intro, let's talk to him. You look like you're ready for a mountain expedition and/or you're ready just to chill at home and be super cozy.
Nick:
I like options, so the fact that I'm able to do both at a will is what I want to play with. But no, what you do, it's been fun to watch the growth of this, especially with the people that are doing it for a long time, because sticking with your theme of say it often, those that are usually saying it often are able to continue to be around because they've been preaching the same thing consistently. It might change a little bit, which trust me, I think 2022 so far, I mean, we're only 19 days into it. But yeah, there are a lot of things that have changed over the times, but we haven't stopped saying the same things, right?
Nick:
We talked about this at GeekOut. You came and you were like, "Hey, this is the consistent stuff that you have to do." And it's shocking... Maybe it isn't shocking, maybe it isn't. People forget what they have to continually do, and so reminding them over and over and over, they just might not be ready to hear it. So I always say, you always start with the basis so everybody's at the same page, but then you can get really to the nitty-gritty stuff, which you do so well, so I see you, brother, on this.
Brett:
Love it, man. Love it. So let's do this, we're going to dive into all the stuff you're doing right now on Facebook and Instagram and other platforms and what your creative genius is. And got an episode in season one here with Justin Brooke, my man, talking GDN, but I know I've seen him publicly say, "If you're not paying attention to Nick Shackelford, you're missing out, because Nick or The Shack knows what he's talking about." So tell me about GeekOut, or tell the audience. I know about GeekOut. I spoke at the last one in LA, and it was fantastic. I had so much fun, so much fun connecting with your group, with your audience. I could really nerd out or geek out. But tell me about that event and kind of what's ahead for this year.
Nick:
I absolutely will. Yeah, I was very fortunate you made it out there. GeekOut started five years ago now, and it started with the fact that I couldn't go to my partner and tell her, "Oh, babe, look at these campaigns. Oh my gosh, isn't this great?" Roll her eyes, she just didn't really care as much. And then [inaudible 00:06:04] James, he felt the same way. So we were geeking and nerding on all these things. We have a different vibe about ourselves, and what I mean... I literally have to explain this. We have the ability to deliver content and aggregate a room of people that want to learn, make money, and continue to build their business, but still feel open to talk about, "Hey, my employee just sued me," or "I'm going through this issue with my partner," or "I'm going...." these really intimate things that you don't feel comfortable expressing unless you're in a room that's safe and comfortable.
Nick:
And it just started happening organically, because I'm that way, right? I'm okay with things being very public. There's a couple things that I don't want to have super public, but I'm pretty much 99% out there on every channel because I do believe building in public builds relation, and there was no better way for us to do this except doing it in person. So this started, again, five years ago, and I remember we did it in Las Vegas literally on a couch. We thought we were renting a mansion, of course. Like all things in Vegas, you thought it was, and we figured what it really was. We got there, and I remember there was a putt-putt. One of the selling propositions on Airbnb was, "Oh, use our little putting green, and it was amazing." It was two holes, and I'm like, "Oh my God, what are we're going to do?"
Nick:
So we had a good run, but the thing that we never lacked was the quality of content. And so we've ran it back. We've done Tel Aviv. We've done Barcelona. We've done LA, Miami, New York, and we're gearing up for this year. We will be the only event that will do, I think, double digits of events this year. We're planning for 10. I think we'll probably, knock on wood because of where the world is currently at, get about six. And the first one starts in Dubai right before Affiliate World, and then we'll bring it back in for San Diego and Miami. Brett, I think I told you this before, it's the one business that I have that makes me the least amount of money but brings me the most amount of happiness, because you truly get a seed connection, and it's something that we've really, really gotten away from in the world for the various reasons that all of us are experiencing together, but it's just become way more important to me.
Brett:
Yeah, it was just phenomenal. I can't wait. I've been talking to my team about it. I've been bugging you for dates, because I'm blocking these out. I'm coming to speak at as many of these as I can or attend those that I can't speak at. It was just an amazing place to be, other like-minded, super smart marketers. I know you've had this experience. You were talking about talking to your partner. You can't really talk about ROAS. She doesn't care, right? I can't talk about ROAS to my wife. She glazes over. But you become acutely aware of how many acronyms we use in this space, right? ROAS, LTV, AOV, CLV. It's never ending, but this is your people. You can geek out about any of those things, but you can also talk about deeper stuff, people stuff, preparing for exits, buying companies. It's an awesome group, testament to you and to James, but just high level people, man. I would put it on the short list. If you could only attend a couple events this year, make sure one of them-
Nick:
[inaudible 00:09:22].
Brett:
... is GeekOut. I can edit this out later if I need to. Is there a rebrand coming too? Is it going to be GeekOut, is going to be something else? Or should we talk about that?
Nick:
Yeah, absolutely, we should. It's going to be called a GeekUp for two reasons. One, we have to level up, and so adding in that geek element is something that we still want to keep. And two, there was already a trademark called GeekOut Events. So as much of the branding I want you guys to be like, "Oh wow, that's so clever," I'm like, "Well, we kind of got into a situation."
Brett:
We're geeking out and leveling up. We're geeking up. This is amazing. Yeah, that's [inaudible 00:09:58]. Well, its going to be... I don't care what you call it, but GeekUp is super cool too. So if you attend only a few events, make sure one of them is GeekUp. And so I'll link to everything in the show notes. You can google it and check it out and stuff like that too. So fantastic, man. Any other notes on the event itself?
Nick:
Well, okay, so the segue into what I'm focused on a lot right now outside of the three businesses is we started GeekUp because it was about sharing and learning and getting that feedback of what's happening, and that led me to Konstant Kreative. We have almost our first year under our belts, and it's purely content because... Dude, you're a YouTube guy. You do good YouTubes. We don't do YouTubes, but we do a lot of Facebook, and we do a lot of Instagram, and we do a lot of TikTok, and we do a lot of Snapchat. And I used to be such a big teacher and proponent of strategies and hacks and tactics. I'll raise my hand here, I was one of the biggest people talking about various hacks and strategies 2017, '18, '19. 2020, I got a little quieter. 2020, I got real quiet. In 2022, I'm on that same quiet band because it just isn't as sustainable as it once was. I don't want to say we did this on purpose, but I like to think I did or had a feeling, my spider senses, for the new Marvel movie, which is fantastic, is tingling, and I was like, "Dude-
Brett:
That is a good movie. And actually, quick side note, the new, or new-ish, depending on when you're listening to this, Spiderman movie got us into the whole Marvel series. We watched Spiderman No Way Home, and then now we're going back to the beginning. We're, I think, three movies into the... It's like 30 movies. If you do chronologically through the Marvel series, it's nuts, but my family and I, we're going through it all, so it's super fun.
Nick:
Oh my God, I am not a movie person, but I will watch though. It's culture. It's so culture. Okay. What put us into this position was understanding that content was never going to leave us, and so we put so much time and effort into building. We weren't first to do it. There's Design Pickle. There's No Limit Creatives. There's Penjee! There's Video Husky. There's so many other people that do this content on demand thing, but we had to do it ourselves, because arguably, I've never gone through a pandemic. I'm 31 years old. I didn't know what would happen if I couldn't understand how much revenue was being driven by each one of our employees across our entire company because I didn't know what I needed to go potentially [inaudible 00:12:26] so I didn't know what loans I needed to go get.
Nick:
I needed to know that I could do a dollar earned or average per each one of our employees contributing to the bottom line. Sometimes in just an agency space or sometimes in business space, you have admins or project managers that might not directly tie to bottom line. We know they impact it, but we don't really know what they drive. Designers are another one. Editors are another one. Copywriters are another one. Unless you're in this performance tower, you know each email or each thing you write, you get dollars back on. If you aren't structured that way, you're like, "Dude, I don't really know how much money's coming in from these people." So we actually built this service and fed it to ourselves. And I think the term is dog feeding ourselves.
Brett:
Yeah, so this is a Google term. So it's called eating your own dog food. They borrowed it from Purina or Puppy Chow or something like that, where literally that company, they would eat their own dog food. It's a metaphor for using your own stuff, right?
Nick:
Okay.
Brett:
You believe in your product so much, you use it. Yeah.
Nick:
Oh, so thank you. I actually didn't know where that was coming from, and I'm glad you [inaudible 00:13:29]. We built it for ourselves because content... If you're like, "Nick, what are you about right now?" it's content, and it's volume of content at a cost effective rate. Listen, before the pandemic hit, a lot of people didn't really open up their mind to the quality of support, quality of company building that you can do offshore. I'm not saying outsource. This is a complete different thing. Outsource to offshore is completely different. Offshore are full-time your employees, your people, your values, your systems, your processes. Outsource is white labeling. You don't know what's going on. They're delivering you something, you're going to wrap in a bow, you're going to deliver. So I'm going to be very clear on that.
Nick:
This was something that when we started to understand quality of talent allowed us on the agency side to operate at 35, 40, 55% margin at times on various months, you can do the same exact thing on a content iteration, say. The only issue that a lot of people don't get right when they're like, "Hey, I need a performance editor," or "I need a performance creative person," it's because they themselves don't know what they want. Here's why. There's a subjectivity in this that everybody can't get away from in the romanticism toward a brand they own or towards the content that's being shot. I'm sure you experience this, or do you?
Brett:
Absolutely. Totally. Yeah, yeah. Sometimes we are our own biggest enemy, or often the brand owner is their biggest enemy in terms of getting creatives that work, creatives that actually connect and compel and move people to take action. Yeah, sometimes we're romantic about what we think that structure should be or what we think that message should be rather than focusing on... Let's not do something that's completely off brand, of course, but let's do what works. And sometimes you have the brand, or sometimes the agency gets in the way of that.
Nick:
It's so true because we're hired to do two things. Now, if you're hiring a branding agency or hiring a shop that needs to be really up here and be oh, really meta on things, God bless. I'm not in the space to where I can afford to create something that doesn't drive revenue. You're in the same boat. We have to validate the costs that we have for a lot of our partners. And so when you have this subjective idea of what happens, and I'll get into what testing, what we're doing now, what 2022, at least the bets that I'm making in this first quarter on how we're building out our testing and how we're building out our, at least our internal content structure. And actually, I'll fucking go into all the things, because I think the more that this information gets out there, it might actually spark some interest on your side, and you might have some interesting feedback for me too, so-
Brett:
Totally, totally. We're going to talk about one thing really quickly, and then I want to dive into the specifics.
Nick:
Okay.
Brett:
Actually, two things really quickly. What'd you say the name of the company was, the content company?
Nick:
Oh, Konstant Kreatives. Sorry.
Brett:
Konstant Kreatives. Awesome. We'll link to that in the show notes as well. But I could not agree with you more, right? I think in fact, back when we first met in Denver at Ezra's event, a lot of people were talking about hacks and here's little tricks and tips and things you can do to make Facebook and YouTube and all that work. And certainly, there's always going to be some hacks, but success is way more, way more about having great creatives, sticking to the fundamentals, and just being relentless, relentless on testing, relentless on looking for new angles, and then really just being consistent in what you're doing and doubling down on what's working. And so love that you're doing that. I got to learn more about your company there too so I can refer some people to you. But yeah, so let's dive in there. What is your process then for finding the right angle and getting that... Because you talk about volume of creatives too, right? You got to be testing pretty frequently, especially on Facebook. Not as much on YouTube, but especially on Facebook and Instagram. What's your process like?
Nick:
This is something that we think is an ongoing debate, kind of ongoing analysis. Let's think of it this way, you used to go to optimize campaigns at an ad level or an ad set level or even the structure of the campaign level, and we're having to do a lot of this before we even get to the campaign launch. What I mean by this is, before the conversation of cancel culture or before the conversation of inclusion really was being had, a lot of the ads that we saw were generally white males, white females across every brand, across every company, thin, thinnish, and you didn't really think about, "What if [crosstalk 00:17:49]
Brett:
Which is really just silly. But you're right, that's just the way it was. Yes, it was crazy.
Nick:
Yeah, it was silly. Listen, I'm not ignorant to who I am and what I am, but when you look at brands that are buying this, brands don't have this data. You can't run a quiz to be like, "Hey, what do you... " I guess you could, technically, but I don't know how it would come across us. "Who do you identify with? Or what do you identify as? Or what race are you?" You can't necessarily ask that, but that's the type of [inaudible 00:18:17] that you have to get done. Say, when we give a shoot or when we give content for others to see, "Hey, what do we need?" We usually recommend, "Hey, we need two different races and two different genders, and we need sizes of those genders to be appropriate to what we actually think is our customers buying."
Nick:
It's a great example, the Team Chubbies. Chubbies makes unbelievable male board shorts. I think they get an underwear too now, but makes male board shorts. And if you watch the progression over time of who was used in their content, fit male, white or black, fit male, white or black, little thicker, white or black, little dad bod, white or black, little larger, white or black. Do you know why? Because they're looking at all the-
Brett:
That's their audience, right? How many fit dudes are out there? Right? Most of us have dad bods. Not you, you're a former soccer player, but yeah, dad bods are everywhere.
Nick:
These are the frat guys that are buying it. And they literally... I've listened and watched the progression of this, and they're like... I'm sure that some people want to aspire to look great, but there's a point where you can get turned off by this, and you're like, "That's not really who I am." So it's this progression, this conversation of the testing begins at the inclusion of what's in the content. That's just a side note. I went on a tangent. I apologize there.
Brett:
Yeah, but I love it. I'll just, I'll key in on that. And so it's a side note, but it's important. A buddy of mine runs an athleisure business and they sell a lot of leggings. And so their models are very diverse, Latinos, African Americans, whites, every race, but also normal looking people, right? These are not all 98 pound supermodel. It looks like normal people, but they're joyful and they're smiling. And they are killing it because people look at it and say, "Well, that's me. That's my body type. That's my style." And it's so needed right now, so I'm really glad you brought that up.
Nick:
It's so true. And it kind of goes down to the typical structures that we run if I were to get a little technical in this. We still launch with dynamic creative. We still launch with... Dynamic creative is probably the first step. If we don't have a full hard belief, and this is the campaign structure, if we don't have a full hard belief in any one direction, whether it's like, we know this is worked in the past, but we're just trying to iterate on the value prop, or we're just trying to iterate on the USB, the box opening, we're just trying to iterate on a specific thing, we will still let Facebook choose or dictate the direction we need to go into up into-
Brett:
So by dynamic creatives, you just mean you're... Explain that for people that don't know the Facebook platform well.
Nick:
Thank you very much. So when launching a campaign, there's DCT, dynamic creative testing, which is a tool that you let Facebook choose. Essentially, you're going, "Hey, we don't want to impose any campaign restrictions to force spend," let's say on an automatic budget campaign, an ABO. You go, "I just need you to spend all my budget on these specific creatives that I, the media buyer, have told you I want you to spend on." And CBO can do that too with a little bit of limitations, but that's easiest communication I can give you on that. The dynamic creative testing [crosstalk 00:21:11]
Brett:
You're basically saying, "Hey, here's our creatives, and Facebook, you go wild and you find the winner."
Nick:
Exactly. We are not imposing a restriction on where money can be spent. We're letting the campaign dictate that. And that is... It's basically taking away the bias that we have of letting Facebook say, "Hey, we have this algorithm, we have this info, we have these consumers, and we're going to run this type of campaign on it."
Brett:
Yeah.
Nick:
Now I will have some of my media buyers look at me and go, "Chef, I won't always run this route," but that's the baseline that we start with, because if somebody has pushback on me, say, let's say David or Scott have a conversation, they're like, "Nick, I actually believe that's not the best use of this campaign, because we're only trying to compare two main concepts." And we'll say, Bernie says, "We'll use the athleisure brand here." We want to understand which color way of these leggings are going to be the one that hits or which price point of these leggings are going to hit. That doesn't need to be dynamic creative tested. That needs to be controlled and tested equally across the board. So that to me has probably been the biggest change. Before, I would launch all with minimum campaign budgets or some sort of structure where we're going audience testing, kind of put that after the fact, because it's not as impactful unless it's going to be purely based on the content or creative and the structure when you go live with it.
Brett:
Yeah. I love that. And so really, I mean, if you look at what is our job as advertisers, whether we're agencies or in house or solopreneur, whatever the case may be, our job is to make great creatives, but to feed the algorithm, to let the algorithm, whether that's Facebook, YouTube, or Google, let... The algorithm's smart. And in the long run, the algorithm's going to do a better job than you are in a lot of ways, so how can you feed it and give it enough creative so that it finds the winners? Or how can you do a very specific test? Like you were talking about, right? I'm testing two creatives, because I'm trying to find is it black or is it pink on the leggings that are going to hit, or is it this price or that price? That type of thing, a controlled test, but either way you're trying to say, "I don't know the answer here on what creative's really going to work, but we're going to find out." And then once we find out, then we're going to go all in on that, so-
Nick:
Because you and I both have these conversations with brands that talk about, "Hey, what's your brand book? What's your stance? What do you stand for? And they have the idea of who they want their customer to be, but it's not always what Facebook will agree to be or Google will agree for it to be. You have to let the replies come in. You have to let the data speak for itself. And I'm shocked. And I don't know if this is in your portfolio, we have about 116 brands right now, 117, I believe. The amount of post-purchase surveys on where you've heard from me or what information they're gathering is probably less than 15%.
Brett:
Totally, a very few of our clients are doing them. I think you've got to do it though, because you're going to be surprised by the answers you find out.
Nick:
Exactly, especially understanding touch points now the attribution is dropping a little bit, touch points and understanding where these people are coming from or how much I should be allocating per channel. We had a very, very intelligent brand, I'll say maybe 2020s, called Rove Concepts, which are a large... It's a larger retailer. It's a furniture, so purchase path takes a lot of time. You got to include your partner. A lot of it is generated interest on Facebook, but a lot of it is actualized on Google, XYZ. And these guys were making... This is the first company or brand that came to Jake myself and goes, "You know what? I understand that we gave you these [inaudible 00:24:37] a platform. I don't know if you guys are actually impacting the bottom line because it shows Google having way more conversions than you guys." I'm like, "Heck is going on?" I'm like, "Well, okay, I get it. I'm sure there's... It's an expensive piece. There's thousands of dollars. Can we just put surveys on the back of this? Or do you have this already live, or can you share this information?"
Nick:
A lot of what we started to see was, although that might not have popped up in the platform, a lot of it was saying I heard first about you on Facebook or Instagram, yet the conversion value, all the revenue was coming from Google. And I'm going, "You can't tell me to stop or that's going to be lowered." So we did a hard test turning off paid social, top of funnel. What do you know? Numbers dropped. Yeah, we wouldn't have been able to cover [crosstalk 00:25:22]
Brett:
Yeah, it's so true. I was just talking to a buddy of mine, Josh Durham, who used to be the head of growth at Groove Life and at an agency, and he talked about the same thing, doing those post purchase surveys and realizing that, man, 70, 80% of customers are going to say, "Hey, I first heard you on social, I first heard you on YouTube," or something like that. And I love Google, right? I'm a Google guy, but search and shopping sometimes takes the credit, especially branded search. You need to run it, but branded search often takes credit for a sale that, really, Facebook or YouTube generated, right?
Nick:
Sure. Preach to the choir [inaudible 00:25:59]
Brett:
Yeah, yeah. So, hey, I want to circle back to creative really quickly, and then we can talk attribution again in a minute, because there's some important notes there. As far as creatives go, what is your process? How are you guys coming up with hooks for the actual creatives, and what types of creatives are you launching with? I just want to give people ideas on what should they be testing next or how should they go about their creative process, or how should they talk to their agency to get them to do things more like you guys? Can you talk about your creative process a little bit?
Nick:
I can, yeah. We have one baseline process that we run with or usually use outside of if someone already gives us [inaudible 00:26:39]. Say a brand was coming to us and they already really had, "Hey, we know who our girl or guy is. Here's what we've learned outside of optimizing and looking at the current campaigns," we start with this process where we begin on Amazon, we begin with Reddit, and we begin with competitors. We don't go to the own brand stuff just yet, because we don't want any biases coming in from marketing messages that consumers might be regurgitating back. If you look at Amazon, there's very honest reviews at one star, two star, and even the three star, very honest reviews that use layman's terms that are common, that they're looking for solutions or points. And a lot of it on Amazon, actually, they don't really care about the brand itself. From the experience, from the information I have, they're not necessarily going to Amazon to find Lulu Lemon, they're going to Amazon to price shop. They're going to Amazon for the efficiency and the effectiveness of getting that product as quick as possible.
Nick:
You're not going there looking for a specific brand. You're usually typing in the product in which you need. Hydration packets, coats, clothing, that's the things that you're really searching for, so you usually get people that don't really about crap about who the brand is or what, and they're not going to hold back from you, because it's pretty anonymous at that point, or what have you. So what we started to find out is, before a brand would come to us and before they're like, "I don't know what talking points or hooks or explanations that need to be in this piece of creative," we go to the Amazon reviews. We probably export between 50 to a hundred. We drop it into a word cloud.
Brett:
So you're looking at the actual reviews from those customers or from competitors and from that category as a whole?
Nick:
Correct. Thank you very much to the clarification. We do not go to the brand own yet. We go from the competitors of the same exact product. So if I'm selling leggings, I'm going to the number one competitor with the most amount of reviews, similar in the legging side. I want to know why this product is winning. I want those five stars and four stars, isolate those by themselves. And I want those one stars and two stars, isolate them by themselves. I use three as a lever if I don't have clear messages of things to say or not say based on the four and fives, and the ones and twos.
Brett:
Got it.
Nick:
Four and five might be skewed.
Brett:
Right.
Nick:
One to twos might be skewed, but the threes might you my answer if I don't find it in the two buckets tracking with me.
Brett:
Totally. And this is brilliant by the way. I absolutely love it, yeah, because you're looking for real pain points, real motivators, real things that customers care about, and you're looking for their language, which just makes all the difference in the world.
Nick:
Because we are going to do market stuff. We're going to try and be cool and cute and playful. We'll do our best to not, but we sometimes fall into these categories. And I'll use one brand for this called Necklet. Necklet created a latch system that's magnetic that allows for stacks of jewelry to not get tangled. Brilliant. For women, or men, mainly for women that are wearing necklaces that don't want it to be tangled because they want to wear multiple, it's absolutely brilliant. It's genius. And the mechanism is a magnet on the back. What is it solving? Is a magnet strong enough? Is it latching? Does it pull your hair? These things are questions that the brand might not necessarily know. But guess who's going to know? The people that are buying it and the people that are leaving those reviews on Amazon. They [inaudible 00:29:51] will tell you exactly how feeling, whether this is a dumb concept or not.
Nick:
So we found out a lot of this. No matter how beautiful it might look, no matter how the feeling of joy might be portrayed, the mechanism is still the most unique value proposition for them, so we better go speak specifically towards. That, to me, was after we got from a competitors, put it into a word cloud. I think the easiest one you guys could use is probably Monkey Learn. It's called monkeylearn/wordcloud. I think you have to potentially set up an account. It's free, but if anybody else has a word cloud generator that is better than that, please hit me up. I'm always looking for more tools.
Brett:
Monkey Learn, and you're looking for... And this is like a word cloud builder?
Nick:
Yeah. So it's called Monkey Learn, and then it's a forward slash word-cloud or wordcloud. I'm not sure exactly on [inaudible 00:30:36], but I can pull it for you right after this. And that way, I'm able to aggregate all my star reviews. I would say it's easier if you... The more, the better. The more, the more accurate. Drop it into this word cloud, and it's going to generate and pull up the most commonly used words and tones. And that way, now here's your messages. Here's your information. Here's the things that you need to use. This, Brett, I'm telling you, this thing has allowed processes. Because if you don't know where to begin, that's where you go right away.
Brett:
Yeah, because if you don't have something like this, you're just going to begin with that discussion around the boardroom. It's going to be virtual, right? But you're talking to the client, you're talking to the brand owner, you're talking to the marketing director, and you're like, "Well, hey, our customer is this, and they believe this and they want that." And that's valuable, but this is amazing, where you're saying, "Okay, let's see what the people, the real customers are actually saying, and let's aggregate that. And let's look for tone and let's look for actual words." Yeah, just absolutely brilliant. I love it.
Nick:
The next step that we take from is... Say we already have this, say somebody already has this understanding, the next step that we have here is, where are you lacking? Where do you think your brand or your audience has not been addressed? This is usually right where we get in the conversation of inclusion, usually where we get in the conversation of, it seems like we're over indexed on a certain demographic, a certain gender, certain size. That, to me, is something that we really, really spend a great amount of time. We're very fortunate. We're in LA, so we have a melting pot of people to pull from, and that's something that we know, as a unique advantage, we have to leverage. So that generally is our second conversation that we have, of like, where can we do some tests to where we're not doing something that's not on brand, we're not doing something that we have fear of isolating a consumer, but we have the ability to actually get real learnings in a direction that we never ran before. Here's an example, Luca Danni, which is [inaudible 00:32:29]. It's a bangle and accessory company, bracelet.
Brett:
It's called Luke and Danni? Did I hear that right?
Nick:
Yeah. It technically reads Luca Danni, but Luke and Danni is what it is, and they sell bangles, they sell bracelets. Well, in this test, they usually always show the wrist, and it's the wrist of the woman buying it and the various women buying it. And they actually started seeing a little bit of a performance increase on the thicker in which the wrist began to [crosstalk 00:32:59]
Brett:
Interesting.
Nick:
And I'm like, why is this? Then you look at the export of the purchasing behavior of the people buying it. You have the strong representation of the Bible bell, strong representation of the south, strong representation of a little bit of the east coast. But you're like, "Wow, okay. I think some of our demographics are not the assumed thinner audience that we once believe there to be, so how do we mix this up?" So now we have wrists of all shapes and sizes. You hear me?
Brett:
Okay. Yeah, yeah, yeah. You're there. I thought I lost you for a minute. Yeah, so wrists of all shapes. This is so important. What's really interesting, I going to key in on something that Ezra Firestone mentioned to me a couple years ago, where they notice, BOOM!, their brand BOOM! and Cindy Joseph, it's really women over the age of 50, skin care, makeup, and really good stuff, but they found... They thought, "Well, what if we went a little bit younger with our models, or a little bit younger with our ambassadors that we have in the videos." And they started getting complaints. People were reaching out saying, "That's not me. This person is younger than me." Right? We sometimes forget that people really are looking for, "Can I see myself in this video? Can I see myself in this product. And is this for me?" And if it's not, then they're likely not going to buy, right? And so fascinating test, that, hey, thicker wrists, bigger wrists lead to better results. Diversifying your models leads to better results. You got to explore and got to test. That totally makes sense.
Nick:
Anybody can do this too. That's probably the biggest thing that I want to drive home, is those testing of using Amazon first and Reddit first because the natural communication, community already being built there within your competitors. It's not rocket... The way you present that information, the way you speak to it really will pull in on the expertise that you have, but this isn't rocket science, man. We have anywhere between 100 to 150 brands at any time. And if anybody's looking for analysis of their creative or performance or angles or whatever they're taking, they go this direction, because they know they can get it, they can get it quick, and they don't need to wait on other people to do it. So it's something I would definitely like to pass that forward.
Brett:
Yeah. Love it. What else? What do you see working on Facebook right now? And I know that this stuff has a tendency to be short lived, but in terms of length of videos, what are you finding that's working, or maybe, maybe there's different links, different angles for cold traffic versus remarketing? What are some of the kind of tips and ideas you're seeing there?
Nick:
Well, I'm going to caveat this [inaudible 00:35:25]. We are using two tools. So we're using North Beam and we're using Triple Whale, because we are making-
Brett:
Both fantastic tools.
Nick:
I completely agree. We have to make sure that we're looking at the correct amount of information or data and it's purely based upon a third party tool that's giving me the direction of, okay, this campaign, this ad set, this purchase path is making the most sense for us, so-
Brett:
Yeah. And just a quick note here, because I know the guys at North Beam and at Triple Whale, great platforms, but I'll talk North Beam for just a second. The way it works, it's basically first party data. So they put a first party pixel on your site, they put DNS record there where now they can have an infinity timeframe-
Nick:
Yes.
Brett:
... click attribution, right? So instead of attribution being only seven days, right? So after click happens, and after seven days, Facebook can no longer track it. With something like North Beam or Triple Whale, you track it forever, right? And you can go back and say, "Hey, this one YouTube click or this one Facebook click led to a customer who bought 20 times." Right? You can see all that data, because then these tools integrate with Facebook, Google-
Nick:
Yes.
Brett:
... Shopify, your email platform. They pull all that stuff together. So anyway, this isn't a commercial for those tools. We don't make anything from those tools, but you need that data to know what's really working and what's not.
Nick:
Well, we never used to have... We always needed this.
Brett:
We both needed it, yeah. And [crosstalk 00:36:42]
Nick:
We can get close without it. And now we can't. So now when I'm looking at campaigns, so I'm looking at what's working. Right now, let's go January 19th, 11:50 AM, Wednesday, 2022. What's working right now is images. I'm now getting images with plain background colors, bold colors. I'm saying yellow blues, pinks and purples, and big bold text. Call outs of the pain points of the consumer. And if I were to be more specific, this is primarily top of funnel, and we're having very minimal branded elements here, because all I'm trying to do is build engagement, build a little bit of direction that I'm trying to go in this place, it's just the right path for me to go down towards, and it is the quickest thing that can be launched. It is the easiest thing that can be made.
Brett:
Yeah.
Nick:
Pain points, value propositions, big, bold colored text, and maybe, if you really want to include it, what does the product look like? Is can just be a product on a white image or somewhere the left or right side of things. We're using this top of funnel aggressively for two reasons. One, if we can get the engagement, and if we can get some sort of understanding of people agreeing with it, or maybe it say other way, not agreeing with it, but that you're usually just seeing the comments, the shares or the engagement overall, I know I'm on the right path. I need to make an image or a more detailed image, shorter video or longer form video to run top of funnel. This is Facebook specifically. So our launching period right now is major callouts with the value propositions or with pain points that we believe for each brand with that color text to kind of pop off page. Second, if that is already being done or something that's already going down that path, we are going with 30 to 45 second videos.
Nick:
I was a huge proponent of sub 30, generally around 15 seconds, but I need this bigger audience for people to pull from, because things on platform, the pools of remarketing are not as quality as they once were because of the drop in reporting. So the more that we can have people engaging or watching the videos longer, I'm running all of our remarketing, or at least our reengagement middle of funnel, off of these audience and pools of creative that we're actually spending more time, that these consumers are spending more time on.
Brett:
Got it. So you're running... So yeah, I remember, and I'm not a Facebook guy, but I remember people talking about, "Hey, shorter creatives are working 15 seconds and things like that," which I'm sure is still the case to a certain degree. But what you're saying, and this totally makes a lot of sense, is 45 seconds, 30 seconds to 45 seconds to your cold traffic audiences, because then you can remarket to people that have watched half of that or all that or whatever the case may be, and now that's a much better audience than maybe the remarketing audiences you would get from someone who engages with a 15 second video. Did I understand that correctly?
Nick:
You did, because we need the... Well, for just a stronger audience. And I don't know what happened. I think the biggest thing that we've seen, if we're talking remarketing, the content, I'm not too sure. I wouldn't feel comfortable speaking about what's working across the board for our brands because it's very [inaudible 00:39:44] and very particular.
Brett:
Yeah, yeah.
Nick:
But one thing that is been a constant is, we need more periods of time. We used to be able to be very segmented, and like, "Cool. One to seven day, you're going to get this message. 8 to 14, you're going to get this message. 15 and on, you're going to get this. It's not working for us. We can't get... I hope it is for others because it was so incredible to push them down a purchase path, but we're going 30 days, 45 days, the largest pull in which we can get from, I think the largest pull is probably around 90, but the biggest pull that we can pull from, I want that to be my remarketing pull, and it's just a mixture of various engagement testimonials of videos of them reinforcing the product or the brand. That's the only thing that I know I can get some consistent benchmarks on, because other than this, there's just no consistency.
Brett:
Yeah. It makes a lot of sense. And as platforms are being more restricted on audiences they can build and how they track and how they report, I think in a lot of cases, we're just going to have to simplify, right? Some of the hyper segmentation of this seven day audience, 14 day audience, 30 day audience, some of that is going away. We're seeing that on Google too, actually, so I think that's probably pretty widespread at this point. Going simpler, going broader makes sense. How are you coming... Because I know, especially on Facebook, Facebook is hungry for new creatives, new concepts. How do you go about refreshing content so regularly and finding winning angles? Any insights there on process that you can share?
Nick:
So I don't have a... Ah, I got some stuff. So I don't have a firm one on this because it really is going to depend on budget. So I'll put a caveat there. The more money you have, the general amount of testing that you can do at higher volume. The only difference between a big budget and a little budget is that a big budget learns quicker, so it's no difference. The process is [crosstalk 00:41:37]
Brett:
You're doing the same things. It's just the speed at which you're doing them is what the budget really dictates.
Nick:
Exactly. Exactly. So I want to put, "Oh that's my brand is not spending 25,000, 50,000, whatever it is." I can't do that. You can, you just can't do as much or as quick. We did start the Konstant Kreative, why we built this is because we believe that there's an internal revision of content. There's an internal revision in planning of strategy for content. And then there's a marketing message. Generally, if it's evergreen, without talking about mother's day, father's day one-off moments, if the general process is happening, we are iterating on a seven day and a ten day window. Let me explain. Our current organization structure is, we operate in a pod system. So we have our copywriter, our senior media buyer, junior media buyer account manager, and channel specific buyers that we need to plug in.
Nick:
But the general makeup is admin, media buyers, strategist. We then started to build a new department, which is our creative strategist. Their core role is to analyze campaign performance on creative specifically. They don't care about the audience. They don't care about interests. Just the performance of the creative. Give that feedback into the client. Give that feedback into our creative director to shoot more content. And their job is to come up with the concepts of, "Here's why here's where I think the angles are going to be going towards." Now, it's various and different for all because the budget's going to be different for all, but it's usually out of two things. The increase of quality of life, that's one core concept, core understanding. Why is this product going to increase the value of my life or make my life better? Then, in the same flip side is, if I don't have this, how terrible or how poor or how unfortunate or how much struggle will my life have?
Nick:
So with those two deciding factors of how much I'm going to increase or how much I'm going to decrease, then we come into the concepts of positioning for each one of these products. So with that frame of mind, we have a seven day sprint to a ten day sprint of analysis, seven days to get the campaign running and live. First two, generally speaking, are not spending a tremendous amount of money, unless something works or unless we have... This is a commitment that the brand or us have [inaudible 00:43:48]. We are spending this money. We got to learn. I say 10 days because there's a little bit of updates attribution. You know, if you're running Facebook, data comes in very sporadically, so we want a little bit more time to run this. It's unfortunate because, at least for our team right now, gone are the days of launch a campaign on one day, slam budget on the second day, turn the campaign off on things that didn't work by the third day. That's more drawn out to a five day, seven day [crosstalk 00:44:14].
Brett:
Yeah. Totally.
Nick:
So if I sat there and go, the analysis that the creative strategy team needs to be doing is on that three day, five day, seven day, ten day window, because that's going to include a full week plus weekends and give you back on that Monday, because you're usually not going to get that launch data on that early, early day. To me, this is an ongoing iteration, it's an ongoing sequence of conversation with the brands, and I'm actually doing a pretty decent case study on what's happening on this. I'm going to unveil it live at Affiliate World, because we're working with Motion app-
Brett:
Nice.
Nick:
... which has some really good data on what's happening, where it's happening, and what insights that are having on their campaign, elements needed in creative. And then we have a large volume of assets on the constant side. So I'm trying to pull all the assets that we've seen perform before and all the assets that we've seen being requested, trying to pull a correlation between the two. And it should be some interesting stuff that we're going to find out, because a lot of this that people don't have, and I hate to hate to call it out, but they don't have a process of feedback loop. They don't have the understanding of when they need to go back and analyze and launch it. They can come up with great ideas, but how long does it take for them to make that test, or how long does it take for them to get information back to the people to create more?
Brett:
Just absolutely fantastic. So unfortunately, we're kind of running out of time, which is a bummer because I would like to continue to geek out or geek up here with you, but I want to kind of go high level for just a minute and just a few questions that I think will help anybody. And I think as people have been listening, hey, we got really technical, we got into some details, so pass this on to your media buyer. If you are a media buyer, I'm sure you're just salivating and loving every second of this. Let's talk high level, Nick. What should people be focusing more on in the coming year? And what should they be focusing less on? Meaning, kind of how are things shifting? What do we need to be really keying in on to get results? And maybe, what are some things that used to be important to pay attention to that now aren't?
Nick:
Great question. Fantastic questions. If you're media buyers or your agencies or your team is coming to you with audience insights or campaign structure insights, I would encourage them to let that go and encourage them to stop spending the time in finding structures and more spending the time on the research of what are these campaigns doing? What are the messages being said in the creative or content? And it has always been content first.
Brett:
All right, Spicy Curry listeners, here's the deal. Nick's audio cut out towards the end. Now, the good news is you heard 99% plus of what Nick had to say, but what you missed is kind of important. You missed how to get a hold of Nick. How can you follow him? How can you learn more about him? How can you get in touch with his agency? And so I'm going to tell you right now. The first thing is you have to follow Nick on Twitter. His Twitter game is an A plus. If you're in the DOC space, e-comm space at all, you got to follow him. And his handle is @iamshackelford. So letter I A-M Shackelford, so check that out. His agency is Structured. So structured.agency, check it out. They cut their teeth on paid social, but they also, Nick and Chase Dimond run an email marketing agency, so check out structured as well.
Brett:
And then one of my favorite events now. I think you should check it out. The events do get a little bit technical and nerdy, but GeekOut that Nick runs with James Van Elswyk, great event. So that's geekoutedu.com. So, check that out. You will not be disappointed. And as always, we want to hear from you. If you found this episode to be helpful, please share it with friends. Also, this is a brand new podcast, so go give it a rating on Apple iTunes, if you don't mind. It will make my day. It will allow other people to find the show. And with that, until next time, thank you for listening.
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